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The main themes also continue on the surprising Mumford and Sons-esque “Sharp Edges,” which can be likened to the band’s 2007 You’ve burned too bright, you know you’ll never last…”Ĭhester finally makes peace with his demons from so long ago. Playing out like a conversation between middle-age Chester and his teenage self, he contemplates ruefully about being so reckless with his life. The theme of regret and recollection continues on perhaps what may be the strangest track of the album, “Halfway Right,” which sounds like an R&B and trap-tinged Broadway play, both vocallyĪnd musically. Sung-rap bridge by Chester, offering a bizarro-world version of Linkin Park where Mike Shinoda sings and Chester takes over rapping duties. Already a standout track on One More Light, “Sorry For Now” continues the surprises by concluding with a To say “Under the fire of your angry eyes, I never wanted to say goodbye…”. In your eyes, I only halfway apologize…” he explains that they are not old enough to understand that this is daddy’s work, and that one day they’ll understand his sacrifices, while going on In lines like “Thinking of you back on the ground, the willful fire burning In a lighthearted moment on theĪlbum, Mike offers a semi-apology to his children, who cannot understand why their father is constantly away on tour. The foreign nature of this album is instantly clear on tracks like the Owl City-esque “Sorry For Now,” which showcases an outstanding Mike Shinoda on lead vocals. Their most foreign, yet risky, releases to date. Poppy to be metal,” and while such comparisons may have potentially bothered the band before, One More Light shows Linkin Park confidently playing with their pop influences in one of Featuring pop influences as far back and early as “In The End,” Linkin Park have always been labeled by some metal critics as “too Truth is, Linkin Park have never been strangers to pop music.
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‘alternative’ band, there’s no secret that a percentage of the 60 million plus Facebook fans of the band likely prefer their Linkin Park to be as far away from pop music as possible. There’s something quite risky and daring about going full-pop at this stage in their careers, especially after their heaviest record to date, The Hunting Party. Light would be denying said fans the chance at hearing what may be some of the band’s best recorded tracks to date. Because deliberately missing out on the band’s latest record One More Sadly, this is a point of view that I fear a decent amount of people who decried theīand’s single “Heavy” may find themselves subscribing to and that in itself is the biggest shame of all. This is not only a regrettable point of view to have, but also for lack of a better word: absolute bullshit.
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Term referred to the prevailing mindset among rock fans that if an artist is ‘pop,’ they must be less talented or less capable than their rock-leaning contemporaries. Rockism was a phrase coined by English musician Pete Wylie in 1981 to refer to the rise of rock music fans who felt that pop music existed on a lesser plane, requiring less effort or ability. So, you’re probably wondering, what is popism, and what is rockism? Subscribe to ‘rockism’ and, as a result, will be approaching their latest record with a preconceived bias, assuming that due to it’s pop-leaning nature, that it is less impressive than the I don’t find all pop music to be inherently bad, and I am aware that some Linkin Park fans coming to read this review will Before diving into this review, I need to warn you: I am a ‘poptimist’.